Alla Joachim Wtewael s Oljemålningar
Vilja ID Bild  Oljemålningar Från A to Z       Information 
85035 Charity  Charity   Date 1627(1627) Medium Oil on oak panel Dimensions Height: 83 cm (32.7 in). Width: 73 cm (28.7 in). cjr
88800 Charity  Charity   1627(1627) Medium Oil on oak panel cyf
20363 Jupiter and Danae (mk05)  Jupiter and Danae (mk05)   Copper 8 1/4 x 6 1/4''(21 x 16 cm).Acquired in 1979
81845 Kitchen Scene  Kitchen Scene   1605(1605) Medium Oil on canvas cyf
29107 Lot and His Daughter  Lot and His Daughter   mk65 Oil on copper 6x8"
95443 Lot and his Daughters  Lot and his Daughters   circa 1600(1600) Medium oil on canvas cyf
79238 Mars and Venus Discovered  Mars and Venus Discovered   between 1603(1603) and 1604(1604) Medium Oil on copper Dimensions Width: 15.5 cm (6.1 in). Height: 20.2 cm (8 in). cyf
87764 Mars and Venus Surprised by Vulcan  Mars and Venus Surprised by Vulcan   1601 Medium Oil on copper Dimensions 20.8 x 15.7 cm (8.2 x 6.2 in) cyf
83455 Mars and Venus Surprised by Vulcan.  Mars and Venus Surprised by Vulcan.   Date 1601 Medium Oil on copper Dimensions 20.8 x 15.7 cm (8.2 x 6.2 in) cjr
682 Perseus and Andromeda  Perseus and Andromeda   1611 Musee du Louvre, Paris
82525 Perseus and Andromeda  Perseus and Andromeda   H. 1.8 m (70 ¾ in.), W. 1.5 m (59 in.) Oil on canvas, 1611. cjr
85974 Perseus and Andromeda  Perseus and Andromeda   Oil on canvas, 1611 cyf
20364 Perseus and Andromeda (mk05)  Perseus and Andromeda (mk05)   1611 Canvas,71 x 59''(180 x 150 cm)Given in 1982
26770 Self-Portrait  Self-Portrait   mk52 1601 Oil on wood 98x74cm Centraal Museum,Utrecht
675 Supper at Emmaus  Supper at Emmaus  
80638 the Gods-Joachim Wtewael  the Gods-Joachim Wtewael   between 1603(1603) and 1604(1604) Medium Oil on copper cyf
43077 The Judgement of Paris  The Judgement of Paris   mk170 1615 Oil on oak 59.8x79.2cm
Joachim Wtewael
1566-1638 Flemish Joachim Wtewael Galleries Dutch painter and draughtsman. He was one of the last exponents of MANNERISM. From c. 1590 until 1628, the year of his latest known dated paintings, he employed such typical Mannerist formal devices as brilliant decorative colour, contrived spatial design and contorted poses. He sometimes combined such artifice with naturalism, and this amalgam represents the two approaches Dutch 16th- and 17th-century theorists discussed as uyt den geest (from the imagination) and naer t leven (after life). Wtewaels activity reflects the transition from Mannerism to a more naturalistic style in Dutch art. Slightly over 100 of his paintings and about 80 drawings are known. Subjects from the Bible and mythology predominate; he also painted several portraits, including a Self-portrait (1601; Utrecht, Cent. Mus.).



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